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    11/6/2009

    看伯恩 写故事

    每天轻轨来回的路上,手捧厚厚的《伯恩的通牒》,600多页的已经看掉了1/3.
    什么是讲故事,这就是讲故事,我认为是比丹·布朗的系列情节描写更出色的小说。
    或许《魔戒》系列可以媲美一下。
    我始终不认为自己的文笔有多么好,或者说我这个文盲刚刚通过百度才知道了什么叫“文笔”。
    我的确很文盲,成语背不出几个,更别提古诗词了,倒是与时俱进,会把最新最雷的话摆到文章里。
    这几天在揣摩“杯具”,同事总是把这个词挂在嘴边,我很好奇,为什么不是“悲剧”而是“杯具”。
    娱乐一点没什么不好,但我总认为“空穴来风”不是今天这么用的。
    说真的,我没读过多少书,世界名著只读了2/3的《红与黑》。
    名著之所以是名著,有其道理,但我认为读的人多了,烂了,知道个大概就好,即使不知道,百度一下可以速成。
    最近,看伯恩的关系,总是想着把自己的文章也故事化,也确实是这么操作的。
    上次有些两不相,这次应该有机会充分故事化了。
    还有个大胆的尝试,就是把电影文字化,也就是说杂志剧本化。难度很高,我也知道。
    现在这功夫,看到重播的体育快评,朱骏同志又有话说了。碰巧下班到家正巧看到宋卫平的采访,唐蒙做的,怎么又是这个,似乎是放录像。
    两个私人老板,一上屏幕,就分出个高下了。不得不说,朱骏比宋卫平有气质多了,后者就是一个农民,发了家的农民。
    脸很胖,眼很小,采访时基本不看镜头,眼睛就是一条线,看着就是个贼眉鼠眼的家伙,就是这家伙弄死了一个还不算很黑的菜片,居然被授予了反黑先锋的称号。
    这简直能写出一个好剧本,海派老板和农民老板搞足球的故事。我是恨不得把宋卫平大卸八块了。
    说真的,宋卫平那模样和丁俊晖还真有点像,难怪都那么没腔调,不,农民腔。

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